Werner Herzog has the mind of a mystic and the soul of an eternal dreamer. In this 1985 High Times article by Robert Seidenberg, Germany’s leading avant-garde director talks about the noble loner, the destruction wrought by Western civilization and why “films are more important than life.”
They were ready to play ball. The sides were picked—cast and crew of Wim Wenders’ Paris, Texas versus cast and crew of Jim Jarmusch’s Stranger Than Paradise. This game of softball at last fall’s Telluride Film Festival in Colorado would prove to be one of the festival’s fiercest competitions. To ensure a fair contest, Werner Herzog was asked to umpire. But Herzog—who, with Wenders and the late Rainer Werner Fassbinder, is West Germany’s most talented and best-known contemporary filmmaker—declined the invitation.
The 42-year-old director is an avid sports fan and agile athlete, but he confessed to an ignorance of the game’s rules. It was obvious, he said, that…
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